#Jean pierre melville un flic how to

Though not among Melville’s classics, “Un Flic” is a pleasure to experience. He plans another, even more complicated robbery, a 20-minute caper that is both a model of exposition (the whole thing takes place in real time) and curious to modern eyes in its use of unmistakable model trains and helicopters rather than the real thing. Simon, for his part, is not content to sit home and count his money. Coleman is clearly interested in Cathy as well, so much so that Simon’s criminal activity is not something this implacable, inscrutable cop suspects. The only time Coleman relaxes at all is when he visits Simon’s, one of Melville’s typically glamorous small Paris nightclubs, where showgirls dance and Simon’s girlfriend, Cathy (Deneuve), looks glam in a stunning Yves St. A fleeting instance of this manner is the view of. J ean-Pierre Melville concluded his illustrious filmmaking career with a film that was a bold attempt to revitalise the genre that he had made his own - the gangster thriller, which had its origins in American crime films of the 1930s and 40s. Ruthless with everyone he deals with, from a trio of uncooperative pickpockets to a glamorous cross-dresser (Valérie Wilson), Coleman doesn’t hesitate to use the third degree when he feels it’s necessary. A Parisian police chief has an affair, but unbeknownst to him, the boyfriend of the woman he’s having an affair with is a bank robber planning a heist. Un flic: art and artifice(and also cars and hats and blondes) Jean-Pierre Melville's last film Un flic (1972) reprises several patterns and procedures familiar from his earlier work, along with actors and locations, all worked into a mode of elegiac intertextuality that we can call Melvillian. This seaside robbery is intercut with the introduction of “Un Flic’s” namesake and other protagonist: Paris police inspector Edouard Coleman, played by Melville veteran Alain Delon.Ī cop who prowls the city by squad car from dusk to dawn, always responding with a curt “on my way” to the persistent radio calls he gets, Delon’s Coleman is young and handsome with ice in his veins.

#Jean pierre melville un flic how to

Naturally, everything doesn’t go as planned and ringleader Simon has to figure out how to deal with the consequences. Un Flic (1972) - (Movie Clip) Three For Paris Fleeing after a bank robbery with one man (Riccardo Cucciolla) shot, thieves Simon, Costa and Albouis (Richard Crenna, Michael Conrad, Andre Pousse) perform an elaborate feint at a Normandy train station, in noir artist Jean-Pierre Melvilles final film Un Flic, 1972. This treatment of crime as a ritualistic venture on a par with the Japanese tea ceremony is another Melville trademark.